James Knittle

Traveler is a form that has been alive in my sketches for some time. For whatever reason, it was always passed over as I decided to create a different form. Interestingly, this form was always there in my thoughts, influencing the work that was made as a result of not creating this piece.

Matt Harding

I typically build a sculpture from a small model. I start with collections of wood blocks, plug in my hot-glue gun, and playfully put together a form. Sometimes I grab the perfect combination of blocks and the sculpture seemingly builds itself, and other times the blocks get thrown back into the scrap bin. Later, I may snap pieces off my discarded models to fit onto new ones.

Lynne Bond

Lynne Bond has lived in Charlotte, Vermont, for the past thirty-five years, and is a Professor of Psychology at the University of Vermont. Her work and art explore relationships between individual identity and community, including their boundaries and adaptations to one another.

Monica Herrera

Monica Herrerais created REVOLUTION in order to explore the paradox that on the one hand, the matter-of-fact idea that each revolution is different; on the other hand, the powerful feeling that, at some level, all revolutions are one.

R. Elliott Katz

Physicality, deliberation, and repetition characterize the sculpture of R. Elliott Katz. His work depicts the natural world in tension with the needs of people, and juxtaposes the finely crafted object with down-home subject matter and materials. Nonument to the Paysage presents an unremarkable rural scene in monumental form.

Ellen Rothenberg

Reverse Vista juxtaposes the rhythms of language against the constant movement of bikers, runners, and pedestrians as they pass along the recreational path leading from the village of Stowe to Mt. Mansfield and back again.