{"id":6401,"date":"2020-02-11T22:49:16","date_gmt":"2020-02-12T03:49:16","guid":{"rendered":"http:\/\/vermontartguide.com\/content\/?p=6401"},"modified":"2021-11-28T14:09:20","modified_gmt":"2021-11-28T19:09:20","slug":"vermont-art-guide-11","status":"publish","type":"post","link":"http:\/\/vermontartguide.com\/content\/vermont-art-guide-11\/","title":{"rendered":"Vermont Art Guide #11"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

GET A COPY<\/a> <\/h2>\n\n\n\n

In This Issue<\/h2>\n\n\n\n

On the cover of Vermont Art Guide<\/em> #11 is an image from the studio of Wolcott artist Trevor Corp<\/strong>. Corp is on our list of 2020 Vermont Artists to Watch. He writes, “My process is always changing, right now it involves images being collaged onto my canvases or transferred. I use my own photos or appropriate and manipulate images from the Internet.\u201d <\/p>\n\n\n\n

Fresh from his artist residency in Sanquhar, Scotland, Editor Ric Kasini Kadour writes about the art of doing more with less<\/strong> in his editorial.<\/p>\n\n\n\n

In our round-up of Vermont Art News, we report on the award-winning sculptural work by Andrea Wasserman and Elizabeth Billings that was integrated into the new Derby Line Port of Entry<\/strong> on Interstate 91. We introduce you to Joshua Campbell Torrance, the new Executive Director of the Bennington Museum<\/strong>. Brattleboro Museum & Art Center<\/strong> has teamed up with The Porch Too to revive the EAT! Micro-Grant Dinner. Grand Isle Art Works <\/strong>wants you to consider your WORD for 2020.<\/p>\n\n\n\n

The Vermont Curators Group’s year-long series of exhibitions, “2020 Vision: Seeing the World Through Technology” <\/strong>“juxtaposes ideas of traditional Yankee ingenuity with exploration of visibility and expression that are relevant to our present day,” writes Gillian Sewake, “2020 Vision” project coordinator.<\/p>\n\n\n\n

Kira Bacon writes about her experience of curating the “I Am a Vermont Artist” <\/strong>series of interviews for the Vermont Arts Council eNewsletter. The series featured Vermont artists from all artistic disciplines and a range of backgrounds.<\/p>\n\n\n\n

In “Heaven Is a More Colorful Place”, we remember Vermont artist Emily Mason<\/strong>, who died on December 10th, 2019 at the age of 87.<\/p>\n\n\n\n

SPECIAL FEATURE:
ARTISTS TO WATCH<\/h2>\n\n\n\n

The issue features the 2020 Vermont Artists to Watch, our annual survey of contemporary Vermont art in exhibition and print.<\/p>\n\n\n\n

In Touch with Intuition, Confident in Execution<\/h3>\n\n\n\n

Kathy Stark<\/strong>, Craftsbury Common
Nominated by Elizabeth Nelson, Artist<\/p>\n\n\n\n

Make Art Everyday<\/h3>\n\n\n\n

Trevor Corp,<\/strong> Wolcott
Nominated by Kelly Holt, Curator, Spruce Peak Performing Arts Center<\/p>\n\n\n\n

Synthesizing Various Influences<\/h3>\n\n\n\n

Patty Hudak<\/strong>, Underhill
Nominated by Heather Ferrell, Curator and Director of Exhibitions, Burlington City Arts<\/p>\n\n\n\n

Intimate Landscape Ensemble<\/h3>\n\n\n\n

Kathryn Lipke<\/strong>, Belvidere Center
Nominated by Jon Meyer, Poet and Owner, Brilliant Light Publishing<\/p>\n\n\n\n

Abstract the Landscape<\/h3>\n\n\n\n

Susan Larkin,<\/strong> Isle La Motte
Nominated by Mickey Myers, Executive Director of the Bryan Memorial Gallery<\/p>\n\n\n\n

Storyteller and Image Maker<\/h3>\n\n\n\n

Mark Collier<\/strong>, Montpelier
Nominated by Katherine Taylor-McBroom, Curator, Sullivan Museum at Norwich University<\/p>\n\n\n\n

Our View of Ourselves<\/h3>\n\n\n\n

Misoo<\/strong>, Shelburne
Nominated by Anne Corso, Executive Director, Southern Vermont Arts Center<\/p>\n\n\n\n

Being a Healer, of Sorts<\/h3>\n\n\n\n

Steve Sharon<\/strong>, Burlington
Nominated by Sebastian Sweatman, Artist<\/p>\n\n\n\n

Artistic Inquiry at a Certain Age<\/h3>\n\n\n\n

Brian Fekete<\/strong>, Kingston, New York
Nominated by Sophie Br\u00e9chu-West, owner of 571 Projects in Stowe <\/p>\n\n\n\n

Go Low, Go High<\/h3>\n\n\n\n

J Blackwell<\/strong>, Bennington
Nominated by Jamie Franklin, Curator of The Bennington Museum<\/p>\n\n\n\n

\n\n\n\n

Where to See Art<\/strong> is our curated list of 195 places to see art around the state. <\/p>\n\n\n\n

A special thank you to this issue’s Gallery Members<\/strong> whose support helps make this magazine possible: Art Works Frame Shop & Gallery | DaVallia | Vermont Artisan Designs | Bennington Museum | Brattleboro Museum & Art Center | Catamount Arts | Julian Scott Memorial Gallery at Northern Vermont University-Johnson | Milton Artists’ Guild | Piecasso Pizzeria & Lounge | Shelburne Museum | Stone Valley Arts at Fox Hill | Two Rivers Printmaking Studio | Valley Arts | Village Frame Shop & Gallery | Edgewater Galleries | Jackson Gallery at Town Hall Theater | Spruce Peak Performing Arts Center | Axel’s Gallery & Frame Shop <\/p>\n\n\n\n

SPECIAL NOTE: <\/em>Vermont Art Guide is a quarterly, printed magazine about contemporary art in Vermont. We have three goals: 1) To connect the entire state\u2019s art community by sharing information about exhibitions and events. 2) To present a picture of Vermont art and art in Vermont, to tell our story. 3) To build an audience for Vermont art inside the state and out. <\/em><\/p>\n\n\n\n

GET A COPY<\/a> <\/h2>\n","protected":false},"excerpt":{"rendered":"

GET A COPY In This Issue On the cover of Vermont Art Guide #11 is an image from the studio of Wolcott artist Trevor Corp. Corp is on our list of 2020 Vermont Artists to Watch. He writes, “My process…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":4,"featured_media":6402,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":[],"categories":[216],"tags":[],"jetpack_featured_media_url":"http:\/\/vermontartguide.com\/content\/wp-content\/uploads\/vrermont-art-guide-11-cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p4SHp1-1Ff","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4947,"url":"http:\/\/vermontartguide.com\/content\/light-and-airy-abstract-painting\/","url_meta":{"origin":6401,"position":0},"title":"Light and Airy Abstract Painting","date":"March 25, 2018","format":"gallery","excerpt":"ARTIST TO WATCH Caroline Tavelli-Abar \u201cAbstract work is not uncommon. What is uncommon is someone who is able, in spite of such a strong history and tradition of abstract work, to create her own language and keep creating abstract work that is fresh, new and beautiful,\u201d writes 2018 Artist to\u2026","rel":"","context":"In "Artists"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/caroline-tavelli-abar-night-flight.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4977,"url":"http:\/\/vermontartguide.com\/content\/symbolic-landscapes\/","url_meta":{"origin":6401,"position":1},"title":"Symbolic Landscapes","date":"April 25, 2018","format":"gallery","excerpt":"ARTIST TO WATCH Elizabeth Nelson In 2012, in an effort to transform her art practice, she consulted the I Ching. That act inspired the \u201cSymbolic Landscape\u201d series. She finished the series in 2017. This epic collection of sixty-four, 20\u201dx20\u201d paintings reflects the hexagrams of the I Ching, a late 9th\u2026","rel":"","context":"In "Artists"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/38-Opposition-copy-small.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6001,"url":"http:\/\/vermontartguide.com\/content\/yearning-for-a-sense-of-place\/","url_meta":{"origin":6401,"position":2},"title":"Yearning for a Sense of Place","date":"January 3, 2019","format":"gallery","excerpt":"2019 VERMONT ARTIST TO WATCH Andrew Frost, Burlington A man in military camouflage stands against a weather-worn wood barn; headlights shine on a stand of brush by the side of a snow covered road; an old camper looks forgotten in a field as clotheslines crisscross the photograph. Andrew Frost documents\u2026","rel":"","context":"In "Artists"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/andrew-frost_NEK_002.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4940,"url":"http:\/\/vermontartguide.com\/content\/dialogue-through-image-making\/","url_meta":{"origin":6401,"position":3},"title":"Dialogue Through Image Making","date":"March 25, 2018","format":"gallery","excerpt":"ARTIST TO WATCH Renee Greenlee Kelly Holt writes in Vermont Art Guide #6, \"Renee Greenlee\u2019s experimental practice in photography is both visionary and inspiring. Grounded in a rich tradition of experimentation, Greenlee seeks to create an open environment in which she can explore historical processes alongside contemporary image making. Her\u2026","rel":"","context":"In "Artists"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/Greenlee-cyanotype007.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6384,"url":"http:\/\/vermontartguide.com\/content\/vermont-artists-to-watch-2020\/","url_meta":{"origin":6401,"position":4},"title":"Vermont Artists to Watch 2020","date":"December 4, 2019","format":"gallery","excerpt":"The Vermont Art Guide in partnership with Vermont Arts Council presents \u201c2020 Vermont Artists to Watch\u201d, a survey of contemporary Vermont art in exhibition and print. The survey appears as a special feature in Vermont Art Guide #11 and as an exhibition at the Vermont Arts Council, February 3rd to\u2026","rel":"","context":"In "News"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/Artist-To-Watch-2020.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6016,"url":"http:\/\/vermontartguide.com\/content\/the-emotional-history-of-a-figure\/","url_meta":{"origin":6401,"position":5},"title":"The Emotional History of a Figure","date":"January 3, 2019","format":"gallery","excerpt":"2019 VERMONT ARTIST TO WATCH Hasso Ewing, Calais Art always tells a story and, from the beginning of time, there have been no greater stories than the ones we tell about each other. Even the simplest rendering of the human figure can convey magnitudes. Hasso Ewing\u2019s more recent sculptures in\u2026","rel":"","context":"In "Artists"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vermontartguide.com\/content\/wp-content\/uploads\/Hasso-Ewing-dancer.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/posts\/6401"}],"collection":[{"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/comments?post=6401"}],"version-history":[{"count":5,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/posts\/6401\/revisions"}],"predecessor-version":[{"id":6424,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/posts\/6401\/revisions\/6424"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/media\/6402"}],"wp:attachment":[{"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/media?parent=6401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/categories?post=6401"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/vermontartguide.com\/content\/wp-json\/wp\/v2\/tags?post=6401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}